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Interview: Laibach
Throughout the years Laibach have forged a legacy that extends beyond music (as one of the most influential acts in the industrial genre and its many derivations), constituting no less…
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Interview: Takafumi Matsubara (Barren Path, ex-Gridlink, Mortalized etc)
Grindcore is often seen as a genre that values intensity over precision, yet your playing is highly technical and exact. What drove you to develop such proficiency in a style…
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Interview With Sadistik Fornicator of Necromaniac
1. NECROMANIAC has been around for a decade, yet "Sciomancy, Malediction & Rites Abominable" is your first full-length. What led to the long gestation period, and how do you feel…
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Unpublished Interview with Stan Zielinski Damonacy
Guest Article by KT The New Jersey area has spawned quite a few interesting bands in the past, I'm sure you know most of them, so I won't bother mentioning…
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Interview: KK Null
Through his solo project KK Null, Kazuyuki Kishino (also known for the band Zeni Geva) has for the past 40 years been creating some of the most interesting and daring…
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Interview: Rayner Valera (Nocta Producciones, Irillion, Ex-Cóndor, Al Rinach 333)
1. So your latest release Mélamar is a stylistic departure from Fatanyu towards a more chaotic black metal approach but it still retains the same melodic foundation. What were you…
Hessian Scrum Special: Snorre Ruch (Thorns, ex-Mayhem)
https://youtu.be/Zz62dLR-a5w And now for something truly special: Raphael sits down to talk with Snorre Ruch, one of the pioneers of Norwegian Black Metal (and, consequently, of the modern black metal…
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Interview with HG (No Clean Singing)
1 - b: Being able to appreciate the ART that resides in something like the Bible, yet not aligning with it ideologically, is a very refined skill. Would you say that…
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Interview with Elytron Frass
We’ve had the pleasure of engaging in a series of back-and-forth inquiries with Elytron Frass, multi-media artist, author of Liber Exuvia, and scriptwriter of Vitiators alongside illustrator Charles N. I.…
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Interview: Robert Sennebäck (Dismember, Unhallow)
While most early Swedish Death metal in the early 90s was very simplistic and featured a lot of hard rock influence, Like an Everflowing Stream was much more technically proficient…