Maccauley (Giger, Predation) and Nick are joined by Malus of Apokatastasis, Ollie of Complete Snake and David Rosales, writer of Gradus Ad Phlegethon as well as seminal article “Reaching for a Red Sky”, to discuss the inimitable heights of this album and the large array of subtle compositional techniques used to convey the powerful emotions on display here.
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A Case for Death Metal’s Greatest Album: At the Gates – The Red in the Sky Is Ours
It is so damn reminiscent…
hell yea pass the blunt bro
In my point of view, it is like you are only allowed to impress your audiance by playing merely D-Beats, Blast Beats, and some snare drum bass drum rock style composition in this album, and the drum guy just (Adrian Enlardsson. I have no idea if he was the one in charge of drum arrangement or it was other people’s idea) amazingly demonstrated his approaches. Paradigm of death metal drumming!
completely agree